THE STORY,
Emme is a new kind of museum in Bali, where nature, art, and architecture come together. Explore its story through interviews with the many people who have contributed to the museum in their respective fields—including the architect, artist, construction teams, members of its operating organizations, and craftspeople from the surrounding communities.
About Emme
Emme is a museum born from the union of nature, art, and architecture. At its heart is a permanent exhibition space shaped through dialogue, complemented by educational programs and a restaurant. Emme is jointly operated by Yayasan Emmerald for Earth—a public foundation based in Bali, Indonesia—and PT Desa Emme Rald, with a portion of the museum’s proceeds directed toward environmental and educational initiatives in the region.
People with deep ties to Indonesia and the wider Asian region were central to the founding of Emme, carrying the hope that the extraordinary experience of art and creativity might continue to circulate across generations. To carry this place—once fallow farmland near Tanah Lot Temple—into the years ahead, Emme invited two creators and entrusted them with that vision.
Born of a cross-border dialogue between architect and artist, the space gives precedence to the land’s original vegetation, threading between the trees and taking shape, almost as a plant grows, in response to the orientation of the sun and the passage of the stars.
Exhibition spaces, large and small, welcome visitors. The character of each space resonates with elements this place has long held dear and that we, in turn, seek to honor: continual change, as though breathing with nature; the play of light and shadow; and a deep respect for nature.
Emme spans approximately 5,000 m² on a 1 ha site. Visitors move through its waterways and courtyards, coming upon works in dialogue with natural light. The light that shifts from morning through dusk into night becomes part of the act of viewing itself; that the works change expression with the weather and the hour is among their defining qualities. Special programs are also held after sundown. The permanent collection gathers golden rain, waves of light, a landscape of tens of thousands of fallen leaves, and a large, luminous painting—works built on light, air, wind, and nature.
Those creators, whose work had already deeply moved us, are both based in Asia and active internationally: Andra Matin (architecture) and Eugene Kangawa / EUGENE STUDIO (artworks and spatial concept). Andra Matin works with materials that live in concert with nature, shaping architecture that weathers gracefully over time. Eugene Kangawa, whose work includes the series described above, has long created paintings and spaces that seem to speak to the strength to live and to human existence itself amid the ceaseless flow of time and an ever-changing world.
Andra Matin has said of the museum: “The space and the artworks—both grounded in a deep respect for nature—merge with the spirit of Bali.” Drawing on Natah, the traditional Balinese principle of dwelling, Emme leaves its center unbuilt, giving the space instead to a water garden. The architecture is composed chiefly of terracotta and volcanic stone produced in Bali.
Emme was created so that hope for a life lived within nature, and the felt reality of being present here, might be shared across generations. It is our sincere wish that the wonder and hope we ourselves once felt through their artworks, as well as through the architecture, will carry something forward to generations yet to come. May this remarkable experience—of art and creation—circulate through society.
Finally, we wish to express our heartfelt gratitude to everyone who made this museum possible: those involved in its architecture and construction, in the making and installation of the works, the artists, the surrounding communities, and the many others who offered their support and cooperation.
Operated by: Yayasan Emmerald for Earth / PT Desa Emme Rald
FAQ
How can I apply for a job at Emme?
About Museum Operations: Emme is jointly operated by Yayasan Emmerald for Earth—a public foundation based in Bali, Indonesia—and PT Desa Emme Rald. A portion of the museum’s proceeds supports environmental initiatives and educational programs. Emme’s activities extend beyond specialist work in art and architecture, and we welcome applications from people with a wide range of skills and backgrounds.
Can I visit Emme?
When will Emme open to the public?
What facilities are available at Emme?
In addition to hosting tours, workshops, and other soft programs, the museum seeks to contribute to the sustainability of the surrounding communities through Emmerald for Earth, a Bali-based public foundation, by directing a portion of its proceeds toward nature conservation and educational activities.
It also works with respected pioneers in such efforts, including Nuanu Creative City, while gradually exploring and co-developing joint programs with environmental initiatives and educational organizations in the region.
What should I know before visiting Emme?
How much time should I allow for a visit to Emme?
A Culture of Making
Part 1The Story of Pak Ismed and the Construction of Emme. As Emme’s head of construction, Ismed now leads a team of around one hundred craftsmen. For two decades, he has devoted himself to craft-based…
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A Culture of Making
Part 2Most important to him are the less measurable conditions that shape the quality of construction—the morale of the craftsmen, the rhythm of the work, and the atmosphere in which people spend their…
View Now
Careers:
Museum Staff Recruitment at Emme
Membentuk Emme, Hari demi Hari―Bersama Shaping Emme, Day by Day―Together Emme will continue to be shaped not only by its artworks and architecture, but by the work of every person involved in this…
View Now
The permanent museum was featured in the Financial Times (UK, Print and web).
The UK’s Financial Times reported on the permanent museum taking shape in Bali, introducing its scale and the works of the artist.
View Now
The permanent museum was featured in Le Quotidien de l’Art (France, Print).
The French art daily Le Quotidien de l’Art announced the planned opening of the permanent museum in Bali.
View Now
Media Coverage: With Thanks
Since its announcement, the permanent museum has been featured in many publications across Asia and Europe. We are sincerely grateful to every editor and writer who has introduced our work.
View Now
-
A Culture of Making
Part 2Most important to him are the less measurable conditions that shape the quality of construction—the morale of the craftsmen, the rhythm of the work, and the atmosphere in which people spend their…
View Now -
Careers:
Museum Staff Recruitment at EmmeMembentuk Emme, Hari demi Hari―Bersama Shaping Emme, Day by Day―Together Emme will continue to be shaped not only by its artworks and architecture, but by the work of every person involved in this…
View Now -
A Culture of Making
Part 1The Story of Pak Ismed and the Construction of Emme. As Emme’s head of construction, Ismed now leads a team of around one hundred craftsmen. For two decades, he has devoted himself to craft-based…
View Now -
Media Coverage: With Thanks
Since its announcement, the permanent museum has been featured in many publications across Asia and Europe. We are sincerely grateful to every editor and writer who has introduced our work.
View Now -
The permanent museum was featured in Tourismvaganza (Indonesia, Web).
The Indonesian travel media Tourismvaganza reported on how the museum came to be founded after the artist’s exhibition in Tokyo.
View Now -
The permanent museum was featured in Geometry (Indonesia, Web).
The Indonesian design media Geometry featured the museum on the occasion of the artist’s White Painting series at Art Jakarta.
View Now -
The permanent museum was featured in Casa BRUTUS (Japan, Web).
The Japanese magazine Casa BRUTUS introduced the works planned for the permanent exhibition and the architecture by Andra Matin.
View Now -
The permanent museum was featured in Art+ Magazine (Philippines, Web).
The Philippine art magazine Art+ looked at how the permanent museum in Bali steps outside the format of the travelling exhibition.
View Now -
The permanent museum was featured in Le Quotidien de l’Art (France, Print).
The French art daily Le Quotidien de l’Art announced the planned opening of the permanent museum in Bali.
View Now -
The permanent museum was featured in the Financial Times (UK, Print and web).
The UK’s Financial Times reported on the permanent museum taking shape in Bali, introducing its scale and the works of the artist.
View Now